The Valkyries, Yuval Sharon's staging of Die Walküre, Act III, draws upon the cultural and industrial associations of Hollywood, using filmmaking technology such as green screens to bring Die Walküre to life on the Bowl's Jumbotron system. In The Valkyries, Sharon draws on the proto-cinematic nature of Wagner's vision.Ĭo-produced with the Los Angeles Philharmonic This is the third time Sharon has used green screen technology for stage productions, following two cinematic adaptations: Andrew Norman's Trip to the Moon, inspired by the 1902 silent film of the same title, and Olga Neuwirth's adaptation of David Lynch's Lost Highway. The Valkyries, Yuval Sharon's staging of Die Walküre, Act III, uses filmmaking technology such as green screens to bring Die Walküre to life. La bohème is a co-Production of Boston Lyric Opera, Detroit Opera, and Spoleto Festival USA Presented in a co-production with Detroit Opera and Boston Lyric Opera, this bold, unconventional take on Puccini’s opus is itself an experimental, nonconforming, and original piece of art.Ĭo-produced with Detroit Opera and Spoleto Festival USA In this new, never-before attempted arrangement, Sharon reappraises the ways in which audiences and artists can interact with repertoire, bringing fresh eyes and ears to a classic while extracting hope from tragedy, life from death, and love from loneliness. Yuval Sharon’s new production of La bohème casts familiar elements in a new light, as Sharon stages the classic opera in reverse order from Act IV to Act I, with text and music otherwise unchanged. Libretto by Luigi Illica and Giuseppe Giacosa Performed at the Emerson Colonial Theatre
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